�Evolutionary studies of ripening typically apply small, transitory animals (insects, worms, mice) under benign conditions - constant temperature and humidity, no parasites, superabundant intellectual nourishment - in the laboratory. Oddly enough, very little is known about ageing in such animals in their abrasive, stressful natural environments. Could it be that these laboratory "guinea pigs" actually age often more slowly in captive luxury than do their wild cousins?
Nori Kawasaki, Rob Brooks, and Russell Bonduriansky of the University of New South Wales, and Chad Brassil of the University of Nebraska, place out to find out, using the giant Australian stilt-legged fly Telostylinus angusticollis, a beautiful, sexually dimorphous animal that breeds on rotten mrs. Henry Wood. To identify individual flies in the wild, they wrote codes (combinations of Arabic numerals and Latin and Japanese letters) on the flies' backs victimization enamel paint, and recorded the comings and goings of marked individuals on Acacia trunks while at the same time monitoring their captive cousins in the lab.
Analysis, promulgated in the September issue of the American Naturalist, revealed hitting contrasts betwixt wild and captivity: in males, the rate of aging (deliberate as the rate of increase of mortality rate with historic period) was as least doubled greater in the wild than in the science laboratory. Curiously, raving mad females did not look to age at all. For both sexes, life expectancies in the wild were dramatically shorter than in the lab.
Evolutionary biologists have long sought to understand how environmental factors generate natural selection on the rate of aging, and in the end influence the frequencies of genes that underpin genetic variation in this trait. Much less is known about how environment affects the
Monday, 8 September 2008
Friday, 29 August 2008
Carmen Electra - Electra Finds Wrestling Partner Kardashian Hot
Model/actress CARMEN ELECTRA bottom understand why socialite KIM KARDASHIAN turns men on after wrestle with her for a scene in new comedy film DISASTER MOVIE.
The two aphrodisiacal stars get into some "down and dirty positions" for the new motion-picture show, which spoofs Hollywood's action blockbusters, and Electra admits she left field the fix with a little same-sex crush on her co-star.
She says, "I really got to know her in our grappling scene... We get into some depressed and dirty positions, so it's a good thing we became friends. Kim is so cool, not to reference being hot."
But the wrestling scene wasn't all fun to dash - Electra was left wing with some nasty injuries.
She tells Parade.com, "There's pilus pulling and I hurt my back up and got some cauterise marks. But it's as well sexy. We're sort of playing with the theme that guys get turned on by girls rassling."
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Tuesday, 19 August 2008
Download Jack Penate mp3
 Artist: Jack Penate: mp3 download Genre(s): Rock Discography:  Matinee Year: 2007 Tracks: 11 In many slipway, Jack Penate is Lily Allen minus the satire and the party frocks. The South Londoner's music is glossy, radio-ready pop, just its center is frozen in the Two-Tone ska revival and the more soulful ending of '80s pop, along the lines of the Style Council and the Housemartins. Add in Penate's impinging vocal resemblance to the loretta Young Billy Bragg and he's like the postmillennial equivalent weight to the U.K. pupil discos of deuce decades antecedently. Jack Fabian Penate (beingness of Spanish descent, his soubriquet is marked "Pen -- yah -- TAY," not "Pen -- ate") was innate in Blackheath, a fair swish London suburban area, on September 9, 1984. While bland in his teens, Penate formed a band called Jack's Basement, which besides featured his classmate Felix White, by and by lead guitar player for neo-Brit-pop play the Maccabees. When that group broke up as its members went off to different universities, Penate began a solo life history, backed by bassist Joel Porter and drummer Alex Robins. While development a substantial live next due in large section to his frenetic onstage dance, Penate signed with the Young Turks label and released his debut undivided "Second, Minute or Hour" (each of the chiliad limited variant vinyl copies containing a Polaroid self-portrait of the artist) in the fall of 2006. The single's favorable buzz allowed Penate to derail to the bigger indie XL Recordings for his beginning EP, Spit at Stars, released in the spring of 2007. |
Saturday, 9 August 2008
Carcass
Artist: Carcass
Genre(s):
Metal: Heavy
Rock
Metal: Death,Black
Rock: Thrash
Rock: Grindcore
Discography:
Swansong (Remastered)
Year: 2004
Tracks: 12
Flesh Ripping Sonic Torment
Year: 2003
Tracks: 28
Wake Up and Smell The Carcass
Year: 1996
Tracks: 17
Swansong
Year: 1996
Tracks: 12
Death 'n' Roll
Year: 1994
Tracks: 13
Heartwork
Year: 1993
Tracks: 10
Tools Of The Trade
Year: 1992
Tracks: 4
Necroticism - Descanting The Insalubrious
Year: 1991
Tracks: 11
Symphonies Of Sickness
Year: 1989
Tracks: 10
Reek Of Putrefaction
Year: 1988
Tracks: 22
Often considered one of grindcore's innovation fathers, Carcass were among the turn one bands of the utmost alloy musical style to stress a different lyrical attack -- one that reflected a fascination with surgical gadgets and peculiar words straight out of a mEd student's school text. Hailing from the same locale that spawned the Fab Four -- in case you lived under a stone for the past tense few decades, Liverpool -- Carcass were originally formed in 1985 by singer/guitarist Bill Steer (wHO would later play with Napalm Death) and drummer Ken Owen. By 1987, singer/bassist Jeff Walker had signing on with the banding, resulting in a deal with Earache Records concisely later. The triple then issued a pair of full-lengths that ar often considered classics of the grindcore writing style, 1988's Reek of Putrefaction and 1989's Symphonies of Sickness.
Concisely later the dawn of the '90s, Carcass expanded to a quartette, as Michael Amott sign-language on as second guitarist, resulting in deuce more favorites of the metal subway system, 1991's Necroticism: Descanting the Insalubrious and 1992's four-song EP Tools of the Trade. Whereas he once sang in a growl voice à la a dragon desperately in want of some Pepto-Bismol, Walker adoptive a somewhat more traditional metallic element tattle style, piece the lot was no longer afraid to allow Iron Maiden-esque guitar form accede the mix. The result was the group's major-label debut for Sony, 1994's Heartwork. Although Heartwork is probably Carcass' best-known album, fan response is often split evenly 'tween those world Health Organization sense the group had sold stunned with a more easily digestible well-grounded (quite comparable to thresh metal) and those wHO feel that it's one of the '90s great alloy releases.
Either way, Amott left the group around this time, and was replaced by Carlo Regadas for Carcass' last studio album, 1996's appropriately titled Swansong. The same year, a compilation of rarities was issued, Arouse Up and Smell the Carcass. Subsequently, Owen, Walker, and Regadas continued working together for a write under the Blackstar nominate; Amott formed both Spiritual Beggars and Arch Enemy; and Steer surprisingly formed a blues-rock power threesome, Firebird.
Trollskogen
Tuesday, 1 July 2008
Pavarotti widow, daughters agree on inheritance
MILAN, Italy —
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A lawyer for Luciano Pavarotti's widow says his family has come to a friendly agreement on how to divide up his estate.
Pavarotti had drafted two wills near the end of his yearlong battle with cancer. One divided his assets by Italian law, giving half to his second wife, Nicoletta Mantovani, and half to his four daughters. The second left the tenor's U.S. holdings to Mantovani.
Pavarotti died last September. He had three adult daughters from his 35-year marriage to first wife Adua Veroni. He married Mantovani in 2003, and the couple had a young daughter.
Mantovani's lawyer Giorgio Bernini declined Monday to provide details about her agreement with Pavarotti's three eldest daughters. He says a judge is expected to confirm the deal by the end of July.
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Wednesday, 25 June 2008
Black Attack
Artist: Black Attack
Genre(s):
Other
Discography:
On the Edge
Year: 1999
Tracks: 12
Born and embossed in Manhattan, Black Attack (real diagnose Sean Boston) knew at 13 age of age that he was going to be an MC. He started kayoed in a local crew named Smoked Out Productions, simply ventured out on his have in the mid-'90s, crossing paths with former Beatnuts phallus Al Tariq, world Health Organization was running on his solo debut, Supreme Being Connections (1996), for Correct Records. In 1997, Black Attack released the tube stumble 12" "Holdin' It Down" b/w "Verbal Attack," featuring mate MC Problemz, on the Correct label. The up-and-comer quickly established a diagnose for himself with that record, only the business closing of things ne'er could match up to the assure of his skills. Black Attack was always spirited from label to label on the independent circuit, with only a few recordings (like the My Crown 12") to demonstrate for it. However, advent into contact with Japanese turntablist DJ Honda, world Health Organization was based in Manhattan at the sentence, aegir some positive results. Black Attack recorded many songs with Honda for his self-titled debut, DJ Honda (1996), as well as HII (1998) and HIII (2001). Work on Honda's irregular album had reunited Black Attack with Al Tariq and Problemz. The trey toured Europe with Honda as well as doing their have gigs. Since the chemistry was there and they were well-received, the trey of them founded Missin' Linx, unfortunately a transitory endeavour. Black Attack was on the verge of calling it quits, simply he resurfaced in 2007 with some other independent individual, "Black Man."
Monday, 16 June 2008
James Dean Gallery moves back to original home in Fairmount, Indiana
FAIRMOUNT, Ind. - The James Dean Gallery is back where the 1950s Hollywood icon grew up.
Owner David Loehr has moved the gallery back to its original spot in Fairmount, Indiana, about 80 kilometres northeast of Indianapolis. He had moved everything out in 2002, after a small electrical fire in the original house. The risk of another fire prompted Loehr to think about getting some of his rare Dean collectibles out of the structure.
The gallery moved to a custom-built, state-of-the-art museum at Gas City's Interstate 69 interchange for two years.
But Loehr says that place was too big and became "unsustainable."
"It got so big, so grand, that it didn't work," Loehr said.
He said he sold some of his memorabilia just to get out of the hole he was in because of the building. Needing a place to house his wares and regroup, Loehr moved the display to the Kruse Automobile Museum in Auburn.
But he decided to move back to the building where he started the gallery in 1988. It features a collection of Dean portraits and rare memorabilia, including hometown artifacts, collectibles, magazines and more.
Dean hit it big with starring roles in "East of Eden," "Rebel" and "Giant," which had just wrapped filming when a station wagon collided with Dean's new silver Porsche Spyder near rural Cholame, Calif., on Sept. 30, 1955. He died instantly.
Loehr is planning new brochures and hopes to market the gallery, which has no admission charge, to Midwestern families looking for a short, affordable day trip.
"James Dean will never die culturally," Loehr said. "There will always be fans."
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